论戏剧《牡丹亭》与《罗密欧与朱莉叶》的文化意蕴-毕业论文
摘 要
汤显祖的代表作《牡丹亭》和莎士比亚的名剧《罗密欧与朱丽叶》都出现在16世纪90年代，两个剧本虽然出于不同国家的`不同作家之手，但在文化意蕴上，有其相同之处。两剧在追求爱情自由、要求个性解放、反对封建伦理等方面，有其共同的历史内容层面上的文化特征；在故事情节、人物形象、戏剧冲突与空间、时间跨度、结局等方面，有许多的相同之处。但由于东西方文化背景的不同，这两部戏剧在文化意蕴上也有其差异。对其进行比较研究，有助于中西文化的交流。
关键词：《牡丹亭》；《罗密欧与朱丽叶》；比较；文化意蕴
ABSTRACT
Tang Xianzus representative works "Peony Pavilion"
and William Shakespeare s famous drama "Romeo And Juliet" all appeared at the 90s, 16th century , and these two scripts were written by people from different countries, but as far as cultural implication is concerned, they have some commonplace. These two plays have the some resonance on cultural characteristics of historical content level as embodied in the pursue of free love, the request of emancipation of mans inpidual character, the opposition feudalism ethics; and in the plot of the play, image of character, the conflict of the drama and the space, time span, there are also many common points. But due to different cultural background of the East and the West, these two plays also have some differences in the cultural implication. The conducts of comparing and researching to these two plays would be of some help in the enhancement of cultural exchange between the China and the West .
Key words: "Peony Pavilion"; "Romeo And Juliet"; comparison; cultural implication
染雾