染雾中国竹编工艺英语作文范文 篇一
The Art of Chinese Bamboo Weaving
Bamboo weaving is a traditional craft in China that has a rich history dating back thousands of years. It is a unique art form that combines the use of bamboo strips and various weaving techniques to create intricate and beautiful designs. In recent years, bamboo weaving has gained international recognition and has become a popular art form both in China and abroad.
The process of bamboo weaving involves several steps. First, the bamboo is harvested and cut into thin strips. These strips are then soaked in water to make them more pliable. The weaver then uses a variety of techniques, such as plaiting, twining, and coiling, to create different patterns and shapes. The final step is to dry the woven bamboo, which helps to strengthen the structure and preserve the design.
Bamboo weaving is not only a decorative art but also a functional one. In ancient times, bamboo baskets and containers were used for storing and transporting goods. Today, bamboo weaving is used to create a wide range of products, including furniture, home decor, and even fashion accessories. The versatility of bamboo makes it an ideal material for weaving, as it is lightweight, durable, and eco-friendly.
One of the most famous bamboo weaving styles in China is from the province of Anhui. The artisans from this region are known for their intricate designs and attention to detail. They create everything from delicate baskets and lampshades to large-scale sculptures and installations. The art of bamboo weaving has been passed down through generations, and many families continue to practice this craft today.
In recent years, there has been a renewed interest in traditional crafts and handmade products. Bamboo weaving, with its unique beauty and sustainable nature, has become a symbol of Chinese culture and craftsmanship. It has also attracted the attention of artists and designers around the world who are inspired by its simplicity and elegance.
In conclusion, bamboo weaving is a traditional craft in China that has stood the test of time. It is a beautiful and intricate art form that showcases the skill and creativity of Chinese artisans. With its growing popularity, bamboo weaving is sure to continue thriving and evolving in the years to come.
中国竹编工艺英语作文范文 篇二
The Cultural Significance of Chinese Bamboo Weaving
Bamboo weaving is not only an art form but also a reflection of Chinese culture and tradition. It holds a special place in the hearts of the Chinese people and is deeply rooted in their daily lives. The cultural significance of bamboo weaving can be seen in various aspects of Chinese society, from its use in daily necessities to its symbolism in festivals and ceremonies.
One of the reasons why bamboo weaving is so cherished in Chinese culture is its association with nature and sustainability. Bamboo is a symbol of strength and resilience, as it can withstand harsh weather conditions and grow rapidly. The use of bamboo in weaving reflects the Chinese philosophy of harmony with nature and the importance of preserving the environment.
In addition to its environmental significance, bamboo weaving also holds a spiritual and symbolic meaning for the Chinese people. It is believed to bring good luck and fortune, and is often used in traditional rituals and ceremonies. For example, during the Dragon Boat Festival, bamboo leaves are woven into intricate shapes and hung on doors and windows to ward off evil spirits and bring blessings to the household.
Furthermore, bamboo weaving plays a significant role in Chinese cuisine and tea culture. Bamboo steamers are commonly used in Chinese cooking to steam dumplings, buns, and other delicacies. The natural properties of bamboo, such as its ability to absorb moisture and retain heat, make it an ideal material for cooking. In tea culture, bamboo tea trays and utensils are used to enhance the aesthetic experience and create a sense of tranquility.
The art of bamboo weaving is not only valued for its practicality but also for its artistic value. Many Chinese artisans have dedicated their lives to mastering the intricate techniques and designs of bamboo weaving. Their creations are admired for their beauty, elegance, and attention to detail. Bamboo weaving has also inspired other forms of art, such as painting, calligraphy, and poetry, which often depict bamboo as a symbol of virtue, integrity, and resilience.
In conclusion, bamboo weaving is deeply ingrained in Chinese culture and holds great significance in various aspects of Chinese society. It represents the harmony between humans and nature, and embodies the values of sustainability, spirituality, and artistic expression. The art of bamboo weaving continues to thrive and evolve, keeping the rich cultural heritage of China alive.
中国竹编工艺英语作文范文 篇三
第二十一条 文化主管部门对本级人民*批准公布的非物质文化遗产代表性项目，可以认定代表性传承人。
非物质文化遗产代表性项目的代表性传承人应当符合《_非物质文化遗产法》第二十九条规定的条件。下列人员不得认定为代表性传承人：
(一)仅从事非物质文化遗产资料收集、整理和研究的人员;
(二)文化主管部门和非物质文化遗产保护机构的专职工作人员;
(三)其他不熟练掌握其传承的非物质文化遗产的人员。
第二十二条 公民、法人和其他组织可以向文化主管部门推荐非物质文化遗产代表性项目的代表性传承人，公民也可以自行申请认定为代表性传承人。推荐代表性传承人的，应当征得被推荐人的书面同意。
推荐或者自行申请代表性传承人，应当同时提交下列材料：
(一)被推荐人或者申请人的基本情况;
(二)该项目的传承谱系以及被推荐人或者申请人的学艺与传承经历;
(三)被推荐人或者申请人的技艺特点、成就及相关的证明材料;
(四)被推荐人或者申请人持有该项目的相关文献、实物等资料的情况;
(五)其他说明被推荐人或者申请人代表性的材料。
第二十三条 文化主管部门收到推荐或者申请非物质文化遗产项目的代表性传承人材料后，应当按照本条例第十四条、第十五条的规定进行评审和公示，并由本级文化主管部门批准、公布。
第二十四条 对列入非物质文化遗产代表性项目名录的项目，本级文化主管部门应当认定保护单位。
非物质文化遗产代表性项目的保护单位应当具有该项目相对完整的资料，具备实施该项目保护规划的能力和开展传承、展示活动的场所等条件。
认定非物质文化遗产代表性项目的保护单位，按照本条例第十四条、第十五条的规定进行评审和公示，由本级文化主管部门批准、公布。
第二十五条 非物质文化遗产代表性项目的代表性传承人应当履行下列义务：
(一)开展传承活动，培养后继人才;
(二)妥善保存相关的实物、资料;
(三)配合文化主管部门和其他有关部门进行非物质文化遗产调查;
(四)参与非物质文化遗产公益性宣传。
非物质文化遗产代表性项目的代表性传承人无正当理由不履行前款规定义务的，文化主管部门可以取消其代表性传承人资格，重新认定该项目的代表性传承人;丧失传承能力的，文化主管部门可以重新认定该项目的代表性传承人。
第二十六条 非物质文化遗产代表性项目保护单位应当履行下列职责：
(一)制定并实施项目保护规划，向文化主管部门定期报告项目保护实施情况，并接受监督;
(二)收集该项目的实物、资料，并登记、整理、建档;
(三)推荐代表性传承人;
(四)保护该项目相关的文化场所;
(五)开展该项目的展示展演活动;
(六)为该项目传承及相关活动提供必要条件;
(七)支持代表性传承人开展传承活动;
(八)其他应当履行的职责。
非物质文化遗产代表性项目的保护单位无正当理由不履行前款规定义务的，文化主管部门可以取消其保护单位资格，重新认定该项目的保护单位。
第二十七条 非物质文化遗产代表性项目的代表性传承人和保护单位享有下列权利：
(一)开展传授、展示技艺、讲学以及文艺创作、学术研究等活动;
(二)依法向他人提供其掌握的知识、技艺以及有关的原始资料文献、实物、场所等，并获得相应报酬;
(三)开展传承、传播活动有困难的，可以向文化主管部门申请支持;
(四)提出非物质文化遗产保护工作的意见、建议;
(五)获得人民*规定的传承人补助费和保护单位项目保护经费;
(六)其他与非物质文化遗产保护相关的权利。
第二十八条 文化主管部门应当建立本级非物质文化遗产代表性项目代表性传承人和保护单位档案。
区县(自治县)文化主管部门应当每年将本行政区域内代表性传承人和保护单位的情况报送市文化主管部门备案。
第二十九条 文化主管部门根据需要，采取下列措施，支持非物质文化遗产代表性项目的代表性传承人和保护单位开展传承、传播活动：
(一)提供必要的传承场所;
(二)提供必要的经费资助其开展授徒、传艺、交流等活动;
(三)支持其参与社会公益性活动;
(四)资助有关技艺资料的整理、出版;
(五)资助非物质文化遗产传承基地建设;
(六)指导其依法保护享有的知识产权;
(七)支持其开展传承、传播活动的其他措施。
任何单位和个人不得截留、挪用、挤占前款第二项规定的经费。
第三十条 市、区县(自治县)人民*鼓励和支持发挥非物质文化遗产资源的特殊优势，在有效保护的基础上，合理利用非物质文化遗产代表性项目开发具有地方、民族特色和市场潜力的文化产品和文化服务。
鼓励和支持结合发展文化旅游、民俗节庆活动开发利用具有生产性、表演性或者观赏性的非物质文化遗产代表性项目。
合理利用非物质文化遗产代表性项目的，依法享受国家规定的税收、信贷等各项优惠。
第三十一条 开发利用非物质文化遗产代表性项目，应当处理好保护传承和开发利用的关系，保持该代表性项目的传统文化内涵，坚持传统工艺流程的整体性和核心技艺的真实性。
第三十二条 市、区县(自治县)人民*应当根据需要支持设立非物质文化遗产展示场所，组织非物质文化遗产的展示活动，并结合节庆、文化活动、当地民间习俗等实际情况，开展非物质文化遗产代表性项目的展示、表演等活动。
第三十三条 教育机构应当按照教育主管部门的规定，将本地优秀的、体现民族精神与民间特色的非物质文化遗产列入教育内容，因地制宜地开展教育活动。
第三十四条 鼓励公民、法人和其他组织将其所有的非物质文化遗产资料和实物捐赠给*设立的文化机构收藏，或者委托*设立的文化机构保管或者展出。接受捐赠的文化机构应当对捐赠者给予奖励，并颁发捐赠证书;接受委托的文化机构应当注明委托者的名称。
鼓励有条件的公民、法人和其他组织依法成立研究机构，兴办专题博物馆，开设专门展室，开展对非物质文化遗产的研究工作，展示非物质文化遗产代表性项目。
鼓励公民学习、传承非物质文化遗产代表性项目技艺，对学习、传承优异者给予补助。
——中国的文化遗产的作文 (菁选2篇)
中国竹编工艺英语作文范文 篇四
哇，北京今天的天空就像一片无边无际的大海，真是让人又出去玩的冲动，所以今天我选择去天坛。
进入天坛，我做的第一件事就是看地图，这是因为我的天坛地图是手绘的，有点看不懂，结果左走右走，就来到了我去的第一个景点那就是长廊里有老人。有小孩。幼年亲人。有游客，真是应有尽有，而且大家都在干自己的事，老人打桥牌，年轻人聊工作，外国人玩一些*很老的项目，而小孩就在那里追打。大家都把长廊当成了自己家的后院。
接着我又看着地图来到了传说中的祈年殿，在第一眼看见祈年殿的时候我给出的`评价就是大气，气派，全面。祈年殿的颜色很多，但是搭配得也不是一般的好，这上面的屋檐刚好能让人坐在下面乘凉，也让人感觉很漂亮，真是一举两得。
我继续往前结果来到圆丘别看圆丘外表不咋地，里面一个小圆盘，外面什么都没有，单它居然是清明两朝皇上祭天大典所在的地方，但最关键的是中间那个小圆盘是天心石，天心石是体现了古人“天人合一”的思想。所以经过这件事我懂得了一个道理那就是凡事不能看外表。
我往回走结果发现了回音壁，走进回音壁一看，原来大名鼎鼎的回音璧就是黄穹宇的城墙。啊，一叫在城墙外的妈妈根本没听见，看来是人太多的缘故了。还让人太失望了。
走完回音璧，我的天坛之行也就结束了。
中国竹编工艺英语作文范文 篇五
大家都知道非遗是非物质文化遗存的简称，而今天，我们全班同学来到少年宫的非遗馆，去感受非遗的魅力。
看完黄杨木雕，我又去参观另一项非遗——竹壳雕。而在参观竹壳雕时，其中一件作品让我拍手叫好，它的名字叫《忠义千秋》，里面刻着的其实就是勇猛而忠义的关羽，是三国里最具代表的人物之一。这作品，将关羽的优点都表现了出来，可谓栩栩如生，名字也起的非常之妙。我突然觉得眼前的关羽似乎变得更高大，更威风了。除了黄杨木雕和竹壳雕，乐清的非遗还有很多，如龙档，首饰，龙南拳等。
参观完毕，一件件精美作品时时刻刻浮现在我的眼前，每一件作品都那么精雕细琢，富有想象力，那背后凝聚着雕刻家那辛勤的汗水和无穷的智慧，更让我感受到了家乡传统工艺美术无穷魅力。
中国竹编工艺英语作文范文 篇六
The Dragon Boat Festival (DU ā NW ū Ji é) is a traditional Chinese festival, which is held on the fifth day of the fifth month of the lunar calendar. It is also known as the _double five Festival_ Since then, the festival has been celebrated in various ways in other parts of East Asia and Western countries. The exact origin of the festival is not clear.
However, there is a traditional view that the festival is to commemorate Qu Yuan, a Chinese poet during the Warring States period. He committed because he hated the corruption of the Chu government and the local people, and knew that he was a good man People decided to throw food into the river to feed the fish, so that the fish would not eat Qu Yuan's body. In the early years of the Republic of China, the Dragon Boat Festival was also celebrated as _poet's Day_.
Because Qu Yuan was the first famous poet in China, today people eat steamed glutinous rice dumplings made of bamboo, known as zongzi (the food used to raise fish) and dragon boat racing to commemorate it Qu Yuan's dramatic death.
中文翻译：
端午节（DuānwūJié）是中国传统的节日，在农历的第五个月的第五天举行，它也被称为“双五节”（Double fifth（）），从那时起，东亚其他地区和西方国家都以各种方式庆祝这个节日，端午节俗称端午节，端午节的确切来历尚不清楚，但有一种传统观点认为，端午节是为了纪念战国时期的中国诗人屈原，他因厌恶楚国和当地的而身亡，知道他是个好人，决定把食物扔到河里喂鱼，这样鱼就不会吃屈原的身体了。他们还坐在又长又窄的划龙舟上，并试图用船上轰鸣的鼓声和船上雕刻的龙首吓跑鱼在初年，端午也被庆祝为“诗人节”，由于屈原是中国第一个有个人名望的诗人，今天人们吃的是竹编蒸糯米饭饺子被称为粽子（最初是用来养鱼的食物）和赛龙舟来纪念屈原戏剧性的死亡。
