染雾Movie Review: Inception
Inception is a mind-bending science fiction thriller directed by Christopher Nolan. This film takes the audience on a wild ride through the depths of the human mind, exploring the concept of dreams within dreams. As I stepped out of the theater, my mind was filled with a whirlwind of thoughts and emotions.
One of the most remarkable aspects of Inception is its complex and intricate plot. The film follows Dom Cobb, played by Leonardo DiCaprio, who is an expert in the art of extraction - stealing valuable secrets from people's subconscious while they are dreaming. However, this time, Cobb is tasked with a new challenge - instead of stealing, he must plant an idea into someone's mind through the process of inception.
The concept of dreams within dreams is mind-boggling and Nolan does an exceptional job in crafting the layers of reality. Each dream level is meticulously designed, with stunning visuals and mind-bending action sequences. The seamless transitions between dream levels create a sense of disorientation, blurring the lines between reality and the subconscious.
The performances in Inception are top-notch. Leonardo DiCaprio delivers a powerful and emotionally charged performance as Cobb, a haunted character grappling with his own demons. His chemistry with Marion Cotillard, who plays his deceased wife Mal, adds another layer of complexity to the story. Joseph Gordon-Levitt, Ellen Page, and Tom Hardy also deliver outstanding performances, bringing depth and personality to their respective characters.
Inception not only captivates with its mind-bending plot and stellar performances but also explores deeper themes. The film delves into the nature of reality, the power of the subconscious mind, and the consequences of manipulating dreams. It raises questions about the fragility of memories and the ethical implications of invading someone's mind. These thought-provoking ideas left me pondering long after the credits rolled.
Overall, Inception is a masterpiece in the realm of science fiction. Christopher Nolan's visionary direction, combined with a stellar cast and a thought-provoking storyline, creates an unforgettable cinematic experience. It challenges the audience to question their own perception of reality and the power of their dreams. If you're looking for a mind-bending and visually stunning film, Inception is a must-watch.
Movie Review: The Shawshank Redemption
The Shawshank Redemption is a powerful and emotionally gripping drama that leaves a lasting impact on its viewers. Directed by Frank Darabont, this film tells the story of Andy Dufresne, played by Tim Robbins, a banker who is wrongfully convicted of murder and sentenced to life in Shawshank State Penitentiary.
One of the strengths of The Shawshank Redemption lies in its exceptional storytelling. The film is based on a novella by Stephen King and Darabont's screenplay successfully captures the essence of the original story. The narrative unfolds at a steady pace, allowing the audience to develop a deep connection with the characters and their struggles. The film explores themes of hope, friendship, and the indomitable human spirit.
The performances in The Shawshank Redemption are outstanding. Tim Robbins delivers a nuanced portrayal of Andy Dufresne, a man who maintains his dignity and hope in the face of adversity. Morgan Freeman gives a memorable performance as Red, a long-time inmate who becomes Andy's closest friend. The chemistry between Robbins and Freeman is undeniable and their on-screen bond is both heartwarming and inspiring.
Another notable aspect of the film is its atmospheric cinematography. The muted color palette and dim lighting contribute to the somber and oppressive atmosphere of the prison. The contrast between the bleakness of the prison and the moments of freedom and redemption is visually striking and adds depth to the storytelling.
The Shawshank Redemption is more than just a prison drama - it is a profound exploration of the human condition. It reminds us of the power of hope and resilience, even in the darkest of times. The film's message of redemption and the possibility of finding solace and peace in the most unlikely places resonates deeply with the audience.
In conclusion, The Shawshank Redemption is a cinematic masterpiece that tugs at the heartstrings and leaves a lasting impression. Frank Darabont's direction, coupled with exceptional performances and a thought-provoking story, make this film a must-watch. It is a powerful reminder that even in the face of adversity, hope and the human spirit can triumph.
用英语写的电影观后感 篇三
Film Review of Pride and Prejudice
Pride and Prejudice is a famous classic written by Jane Austen. I was attracted by the characters and plots of the film adapted from the novel.
Elizabeth is the heroine of the story. When she meets Darcy, a handsome, rich but arrogant man, on the party for the first time, she is dissatisfied with the proud manner of Darcy. Darcy looks down on those who are in a lower social class,
including Elizabeth. However, after getting to know the courage, independence and confidence of Elizabeth, he almost falls in love with her. But Elizabeth believes the lies of Wickham which causes her great prejudice to Darcy. She rejects Darcy’s propose marriage to protect her self-respect. Finally, Darcy goes away because he couldn’t tolerate Elizabeth’s sisters’ vulgar manners. He writes a long letter to explain his thoughts and love to Elizabeth. After reading it, Elizabeth feels guilty about
misjudging Darcy and regrets turning him down. As time goes away, Darcy gradually improves his pride and keeps helping Elizabeth’s family out from troubles. At last, Elizabeth removes the prejudice to Darcy and accepts his propose marriage.
From the film I learn that we can’t judge a man immediately by the first impression. If we are controlled by our subjective senses, it will easy cause prejudice and
misunderstanding and probably influent the developments of many events. To avoid this situation, we need more communication to understand others deeply by ourselves.
用英语写的电影观后感 篇四
What would it feel if I can wake up everyday forgetting what happened for the last whole year?
Lucy in the movie “50 First Dates” told me this feeling. Every morning when she woke up, she only rememberred the Sunday of last year which was her father’s birthday, also the date she had the car accident which made her only keep memory before Sunday, so she always felt happy living the same habit as what she did on Sunday a year ago with the kind set-up by her father and brother. After meeting Hey, she could only remember who he was on the same day. But after one night, he became a stranger to her. She couldn’t even recognize he was the one she used to date and love everyday. Hey tried his best to give her a new different meeting every day so as to win her smile and regain their “First Date”. Hey made her tapes every morning to help her remember what happened the day before and the last whole year. Lucy thus felt grateful with all she had when she woke up everyday. On the same day, she always had the same deep gratitude to face Hey with her sweet smile. What a beautiful feeling it is to always feel thanksgiving and to always
appreciate each other’s effort. A touching story between a memory lost woman and a devoted man taught all of us, normal people, the essence of love. When two people can thank each other for their devotion everyday like what they did for each other on first date, love can forever be refreshed and energetic. On Lucy’s side, people with memory will ask for more than yesterday and become critical of their partners day by day, while people without memory will feel grateful for their life and the people around them everyday.
In the movie, when one day Lucy decided to break up with Hey to let him rebuild his life by burning all their diaries and tapes, I cried for Hey’s broken heart. For her, it was just one day feeling. For him, it was long-term affection and connection. It was easier for her than him to give up their love. On Hey’s side, people with memory will always remember the past happiness and
treasure it for the rest of their life, while people without memory will easily give up at the end of the same day.
What a ruthless feeling it is to end a relationship just after one minute thought. People with fragile mind would easily ruin a long-term relationship no matter what reason they have. The torture between Lucy and Hey tells us the fatal factor to do harm to intimacy between a couple is their fragile mind of
balancing emotion and reason. Thus most of couple lose their trust for each other after experiencing this weakly testing broke-up.
用英语写的电影观后感 篇五
What is the right relationship between the father and the daughter? There is no certain answer. But the love of Brain's to his daughter must be one of the best ones.
His daughter, a young pretty 17-year-old girl was kidnapped during a tour in Paris. Brain got the news and hurried to France to take his daughter. He found that the gangsters that kidnapped his daughter were connected with an old friend which made him exetreme angry. He finally found the place where was holding an auction selling young virgins and broke in successfully taking his daughter away.
No matter how hard and stressful the situation was, and how dangerous things he faced, he never went back just because of the greatest love of a simple father. In the movie, we are all moved not only his actions of kindness, but also his insistance and the greatest of all- a father's love.
用英语写的电影观后感 篇六
When word of the famed Eisenheim's (Ed Norton) illusions reaches Crown Prince Leopold (Rufus Sewell), the ruler attends one of the magician's shows in order to debunk the performance. But when the prince's intended, Sophie von Teschen (Jessica Biel), assists the magician onstage, Eisenheim and Sophie recognize each other from their childhoods, and pretty soon they're totally hot for each other. As the clandestine romance continues, the prince's best cop (Paul Giamatti) is charged with exposing Eisenheim, even while the magician gains a devoted and vocal public following. Before long, Sophie turns up dead, and the logical suspect is Eisenheim himself.
一线声机"Cellular" has the setup for a solid straight-ahead thriller: A kidnap victim who does not know where she is being held phones a total stranger who must then stay connected on his cell phone to find her before she is killed. Joel Schumacher scored earlier with a similarly phone-themed Larry Cohen story, "Phone Booth." As executed by tone-deaf director David R. Ellis, however, "Cellular" becomes an unintentionally hilarious cousin to Brian de Palma's "Raising Cain" and "Snake Eyes."
Ellis seems to have unwittingly spliced together two different films with
mismatched tones: Kim Basinger as the kidnapee and Jason Statham as the kidnapper occupy the deadly-serious, straight-to-video thriller half, while Chris Evans as the rescuer and William H. Macy as a police officer seem to be in a "Saturday Night Live"-alum action comedy. Nowhere else is the disjointedness in tone more apparent than when Basinger and Evans's performances are placed side-by-side during their conversations: The scenes keep cutting between an overwrought Basinger wringing out every drop of melodrama, while a blissfully inept Evans seems to be channeling a cross between Chris Kattan/Jimmy Fallon and Ben Affleck/Keanu Reeves.
Meanwhile, Ellis pulls out tricks intended to generate thrills and surprises. He throws in out-of-nowhere "shocks," a la "Final Destination"; he throws in
flashbacks; he throws in a gun-blazing Macy in Jerry Bruckheimer action-hero slo-mo; and yet, Ellis has no handle on staging any of them competently. Case in point: "Cellular" is the proud owner of one of the most ineptly scored chase sequences ever, as if Ellis simply heard a snippet of the song's lyrics ("...where you gonna run to?") literally and paid no attention to the inappropriateness of the accompanying music (which just bop, bop, bops along). (The song is even reprised during the closing credits, which itself is misbegotten in conception.)
And yet, for all of its failures as art, "Cellular" is always entertaining for those very same faults
